New and seasoned musicians to the scene are matched with experts that connect them with managers, radio programmers and venues. This type of strategy takes all the analyzing out of music writing and gets straight to the raw talent instead.”Īnother unique aspect the organization encourages for its students is networking. Our teachers give them some chords and song lyrics to choose from and create something out of it. We encourage our students to kind of just ‘vomit out’ ideas, and then go back and find the golden parts.” Said Gabler, “They do the program for 16 straight days, one hour a day.
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We have our musicians take part in our month-long speed writing course which is what you’ll see every professional do. “Great songwriting is the biggest strength you can have in this business.
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In the lessons he teaches, students are taught how to network, how to navigate the business world, and how to become well-rounded musicians in all aspects. If there were anyone to teach you how to make it in musical strongholds like Nashville or L.A., it’s him. “ Gabler has been in the music business for upwards of 47 years as a musician, businessman and teacher. At the end of the lesson, artists are connected with a paid gig.Īdditionally, musicians who work with the organization enjoy the perks of the unofficial “Rick Gabler University.
For two hours, musicians get to work with experts like Gabler and Kennedy and take their music from amateur to expert. Check out a few photos from last night below and get ready for the Grammys.“Band coaching” is one of the many programs that the local music incubator offers to encourage Coloradan musicians. I may get the chance to see Questlove on Saturday afternoon when he offers up “Breaks for Kids” to families which features his “hand selected spinning of classic records… as well as special performances, arts and crafts, photo booths and delicious treats sure to bring out the kid in everyone.” It sounds like another unique pre-Grammy opportunity.
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Talib Kweli and Dave Chappelle apparently hit the stage for a wild finale… Let that be a warning to anyone going to see the full Roots crew playing tonight or tomorrow though. There were two special guests I missed though because I left after the August Greene set (it was late!). August Greene was technically set to make their live debut at the Highline Ballroom tonight but I guess they wanted to get in a warm-up gig before. It was less surprising (but no less exciting) to see Common take the stage along with his August Greene bandmates, Robert Glasper and Karriem Riggins. I wasn’t that interested in the gospel-funk of the Origin Band (but the band had a good grove) but I was excited to at have the opportunity to hear the legendary Kirk Franklin perform with the Roots (Black Thought had just met him that day at NBC, he said). There were opening sets and performances from Victory Boyd and others before the core Roots crew took the stage.
So I hustled out after the National wrapped up and made it to Gramercy a tremendous show. Meanwhile, I knew the Roots would be on late and that there would be guests aplenty. A couple of videos from the show are below. The lead singer, Matt Berninger was in fine form, with good humor and his trademark energy, including one dash through the crowd, grabbing phones and taking pics. The Philadelphia-bred Hip Hop band partnered with Tidal and Oculus for the showcase. And they didn’t disappoint with a 20-plus song set that stormed on for two hours. The National can’t be considered an opener for the Roots in any regard. On Thursday January 25 (and into the 26th), I found myself going from an excellent show from the National at Irving up 10 blocks or so to see the Roots. Citi Sound Vault shows at Irving Plaza require tickets but their shows at Gramercy Theatre with The Roots (four nightly performances and four day conversations) can be attended with just a like wile. Vincent, Mom + Pop’s anti-Grammy show with Hinds and Sunflower Bean and Billboard’s Industry Nights with Cloves, Grace Weber and more. As noted before, the lead up to the Grammys in New York City has offered a wealth of shows from major and lesser known acts, including St.
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